Wednesday, March 24, 2010

The Wolfman

I'm of two minds when it comes to The Wolfman.

First Mind says:

The Wolfman's a classic movie monster, but there's only so much you can do with him. He doesn't have a lot going on in the charisma department, lacks basic fashion sense and his table manners are atrocious. Unless you're willing to reboot the nature of the monster, it's an almost impossible sell to the casual (Twilight-friendly) moviegoer. Face it. Werewolves are always going to play second fiddle to their cousins of the night, vampires. Just do the best you can with the material. Give the hardcore fans what they want: cool transformations, great locations, gory attacks and a few well-placed nods to the original. For the most part, that's what you get here. I can certainly think of worse ways to spend two hours -- like staring at a blank screen, but that's for another day...

Second Mind rebuttal:

Holy crap, Universal! What the heck were you guys smoking? $100 + million on a genre picture with such limited appeal!? And R-rated at that!? This film is a tower of fail built upon fail. All those signs of red flags during production turned out to be true. Blunt and Del Toro have zero chemistry, but that's okay because the story is mostly about working out Mommy and Daddy issues. And speaking of Daddy, Anthony Hopkins phones in his entire performance. It's as if someone found an old copy of Ang Lee's Hulk script lying around and decided to do some creative Find and Replace. The big Third Act reveal should be a surprise to no one. Hugo Weaving was the most interesting character in it all. Pity the story wasn't told more from his perspective.

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